For many years, becoming a princess was the cherry on the cake for little girls across the world, but when those girls grew up, they lost the need to place that gold, sparkling tiara on their heads. I can’t say I blame them; when we’re faced with the harsh world of reality, taking the lead role as princess in Mushroom Kingdom becomes nothing more than a trip down Nostalgia Lane. It’s no wonder both girls and women shudder with glee when the sacred vow of marriage arrives on their doorstep, complete with a glittering white dress and tiara. But what is so interesting is why both those girls and women place so much importance in the dress, and why it, inevitably, becomes the crux of the matter.
The gaming industry has been a fan of the damsel-in-distress story arc for quite a number of years, and it appears to keep getting bigger, bolder and better. Nintendo’s own Mario has been working this plot for – well, quite frankly, forever – but it works, right? In fact, Nintendo broke the “princess barrier” a few years ago and gave Princess Peach a chance to star in her own game: Super Princess Peach.
The game, originally released in 2006 (2005 for Japan), went on to relative success with gamers and critics alike – however, they dubbed the game as being “too easy” irrevocably making it difficult to die. The abundance of hints added to this ‘easy-vibe’, which ultimately led IGN critic Craig Harris to believe Nintendo were intentionally ‘spoon-feeding’ gamers: “Nintendo goes completely out of its way to spoon-feed the player, going so far as to nearly spell out the solution to every boss battle before the player enters the fight.” There was also the murmur of Nintendo planting ‘undercurrent sexist themes’ within the game – in one specific level, Peach has to avoid the Boos, and if one brushes past to touch her, she dies. Reading between the lines here spells out certain sexual connotations for sure, but what is so frustrating is that she can’t seem to fight back. Sure, she has her chance to fight bosses, but she uses her emotions of gloom, rage, joy and calm to defeat them. Is it such a ridiculous notion to allow Princess Peach to stomp enemies flat, just like her on-off boyfriend Mario? It’s somehow ironic that she must use her umbrella to hit an enemy, as if her body is too virtuous and pure, so she must imbue her rage in an inanimate object.
Super Princess Peach presents us with a rather interesting theory: if Peach was to take off the dress and wear women’s trousers and a shirt, accompanied by walking boots rather than dainty heels, could she shake off the damsel-in-distress image? Does her vulnerability come from her costume choice; trapped in a pink flouncy dress with nothing but white bloomers underneath? In fact, when a video game character gets the chance to shirk the dress, she does so, albeit only for half of the game in The Legend of Zelda Ocarina of Time and subsequently, The Wind Waker. In both of these examples, Princess Zelda takes on a ‘boy-ish’ image, wearing cut-off trousers and, in Ocarina of Time, even wears a scarf to cover her feminine features. But as soon as she transforms back into the princess and into the dress, she is captured by Ganondorf, ending her plight to take on the evil usurper, giving control back to the male hero. Is it too much to ask Nintendo to make a game that actually modernises the female princess, letting her control her own fate for once?
From the Mario franchise, we’ve also been tempted by the cute yellow ‘Belle’ dress that Princess Daisy wears so wonderfully. Of course, we’ve yet to see a spin-off that takes Daisy from mere Mario Kart racing to super-stomping, princess-popping heroine – hopefully though, this isn’t as far off as we first imagined. As a new generation of ‘girl-gamers’ evolves, Nintendo must supply them with role models they can look up to, and role models that don’t trap the princess in the dress.
So, why is it that the dress matters so much to both women and girls? We get to look like the stereotypical princess, if only for one day, but that’s not to say we want to wear it every day. Do you think Nintendo needs to create characters suited to modern tastes, or is it better to keep up with tradition?
Since you all know I’m a ma-hus-sive Superman fan, I just couldn’t ignore this absolutely wonderful homage to Superman’s 75th Birthday in pictures. I tell you, what I wouldn’t do to get my hands on that very first “Action Comics” comic that introduced us to the red-blue blur of today. I suppose we could ignore the fact that the last one sold for a whopping 2.1 million – I doubt I’ll ever make that much money in my life-time (I hear writing is a fickle business *wink, wink*).
I think my favourite image from the abundance Hero Complex via LA Times has provided has got to be the final shirt-ripping ‘da-da-dada’ pose. It’s the one Superman is most famous for – I mean, come on, any man who rips off his shirt and exposes a primary-coloured, tight-fitting, muscle-bulging costume underneath has GOT to be wonderful. And while searching for more Superman poses, this fantastic blend of old and new cropped into my peripheral vision – via flicksandbits.com.
All in all, Superman looks very good for his age. Maybe he’s had a little bit of botox and a touch-up on photoshop, but he’s still the iconic hero I know and love.
- Man of Steel swoops into cinemas on June 14 – only a couple of months away!
After the hush-hush whispers and the sideways glances from Henry Cavill and Zack Snyder, Superman’s fans are finally treated to a sneak peek poster of the very man himself – for the June 14 cinema extravaganza, Man of Steel.
He’s suited and booted, surrounded by an army of tanked soldiers and bound in… handcuffs? Read the rest of this entry
The Lucky One (12A)
Starring Zac Efron and Taylor Schilling
A mind-numbing experience as cliché and as convoluted as the two times table – The Lucky One panders to all your ‘chick flick’ expectations, but in true clichéd form, it’s as flat as a pancake.
The Cabin in the Woods (15)
Starring Kristen Connelly and Chris Hemsworth
Strap yourself in kids; you’re in for a real treat with this postmodern horror. Hailed as the next instalment to Wes Craven’s Scream and from the writer of the ass-kicking and stake-stabbing Buffy the Vampire Slayer to the gritty and tense Cloverfield, Drew Goddard’s The Cabin in the Woods is a film with no limitations and strikes the perfect balance between the stereotypical and the surreal.
The Woman in Black (12A)
Starring Daniel Radcliffe
Good evening and welcome to Eel Marsh House, where everything is black, covered in cobwebs and small china dolls or monkeys play instruments.
In other words, welcome to shit-your-pants-ville.
The long wait is over. I have safely landed back into the blogosphere; blame my absence on MA work, Christmas and selling books. Or just my laziness and over-tiredness. With my insomnia back in full spirit after its sip of mulled wine, I’ve taken a journey into the land of film, more specifically the fourth dimension of Heavenly Creatures.
Heavenly Creatures (1994) directed by Peter Jackson is certainly a marvel to behold. Based on a true story from Pauline Parker’s journal entries in the 50s, Jackson begins a devilish journey into the ‘fourth dimension’, where fantasy grips two young girls and leads them straight to Hell’s gates.
For those of you who have yet to come across the internationally acclaimed author Garth Nix, you are certainly missing out on a big bucket of deliciously chewy treats: a fantastic fantasy series aptly named The Old Kingdom Trilogy, featuring all things good, bad and witty. Starting with Sabriel, originally a stand-alone novel, Nix penned his two sequels Lirael and Abhorsen with such attentive delicacy that it is certainly hard to imagine my life without the story revolving around Lirael.
I can hear the cliché bells ringing when I say that this story changed my childhood.
But whether you choose to believe me or not, I respected the fictional character of Lirael. In a world where everything presents itself as fake, selfish and image based, the character of Lirael represented the opposite of the popular trend.
Students vs The Rest of the World:
It seems there has been an ever-increasing dislike for students who complain that they are ‘tired’ and ‘overworked’ by their University study work. It appears that non-students who work a 9am – 5pm job, evening work, or some that are doing two jobs find students frustrating, somewhat egotistical and quite frankly ‘cop-outs’.
I must agree that working all those hours in a regular job will be tiring as well as monotonous, but how can a regular worker believe it’s harder than studying for a degree, masters or PHD?
On a recent article in Metro, John Barrowman has responded to some viewers’ negative criticism on the current gay sex scenes in Torchwood’s new series, Miracle Day.
Speaking of the received criticism, John said:
‘When you watch Torchwood there is a warning at the very beginning that some scenes may offend or disturb people. So if you allow your children to sit and watch it with you that’s your responsibility, not ours any more.’ – John Barrowman